From here you will choose the output file size and type that matches the workflow you typically use. Save Output Images will open the output options window. Your image will then appear in the column at the left of the screen, under Output Images “Retouched.” Not all projects will require retouching. Once you have finished retouching the image, go to Edit>Commit Retouching. Using your mouse, you can easily control the size of the brush area, on the fly. Just like the adjustment brush found in the Lightroom, simply brush over any area that has been effected by movement or wind. Simply match the best focused shot with the area of the image on the right you are using the Retouching Tool. Each file on the left of the screen represents each individually focused shot. I use a setting of 100%, which allows me to easily see details, while quickly scrolling through all parts of the image. For this step you will need to magnify both images. With just a little time and concentration, this is where you will eliminate any artifacts. Once the stacking step is completed, it is time to use the program’s Retouching Tool. Focus Stacking Using Zerene Stacker Stack 4 Read a detailed description of both stacking methods here. Each method capable of producing different results, and therefore, experimentation is the best way to determine which method will produce the best output image for you. Here, you will discover that there are two image stacking options from which to choose from, each based on creating an output image using a different processing algorithm. Once the images are imported into Zerene Stacker, select Stack from the task bar. The ZS does both align & stacking for you. Image alignment is a must, especially if you have shot handheld. Focus Stacking Using Zerene Stacker Stack 3 I moved the camera from one focus plane to another as I was viewing it through view finder and clicking the picture. So I shot 4 images each focusing a small area near the head, thorax, abdomen and wing tips, successively. The depth of field was insufficient to cover the whole fly. The lighting was provided by Canon MT-24EX macro twin light flash. #Zerene stacker vs. helicon focus iso#I photographed this fly at 1/125th sec, f/11, ISO 400 using Canon EOS 5D Mark III fitted with Canon EF 100mm f/2.8L Macro IS USM. Here I have used 4 image files of this common green bottle fly ( Lucilia species) for this tutorial. Focus Stacking Using Zerene Stacker Stack 2 I used the Zerene Stacker’s lightroom plugin to export the images from Adobe Lightroom which will automate the process and smoothens the total workflow. Once you open Zerene Stacker you begin by adding files (images) to the current project. Every hair and bristle was preserved and there were no halos, no real artifacts. The very intricate stack was seemingly perfectly done. Zerene Stacker is extremely fast as compared to Photoshop. #Zerene stacker vs. helicon focus software#You can check my earlier tutorials regarding these two software for focus stacking. I have played around with a few them and done extensive work with CombineZP and Adobe Photoshop. #Zerene stacker vs. helicon focus free#There are quite a few focus stacking software available, some free like CombineZP, some expensive like Adobe Photoshop, and some kind-of-expensive like Helicon Focus. Focus Stacking Using Zerene Stacker Stack 1 Basic idea of focus stacking is to combine narrow depth of field of many images to one large depth of field in the final picture. Focus stacking can eliminate both these problems and get you an end to end sharp image despite being very close to the subject as in macro photography. Choosing a smaller aperture increases the necessary exposure time, and in extreme cases it can also reduce the sharpness due to diffraction. When we require more depth of field (or more area in focus), we typically increase the aperture (f stop) setting or move away from the subject. It will be more useful when the smallest aperture is often insufficient to render everything in focus. It works especially well for macro and landscape shots. Focus stacking is a technique which helps to extend an apparent depth of field in a picture.
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